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Leon Battista Alberti:
Leon Battista Alberti (2002. 607 S. m. 28 Abb.)
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Leon Battista Alberti: Master Builder of the Italian Renaissance:
Leon Battista Alberti: Master Builder of the Italian Renaissance
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Ästhetische Theorie der Renaissance - Leon Battista Alberti:
Ästhetik ; Frührenaissance ( Renaissance ) ; Renaissance ; Rhetorik ;
Renaissance - Frührenaissance, Ästhetische Theorie der Renaissance - Leon
Battista Alberti
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Ästhetische Theorie der Renaissance - Leon Battista Alberti:
Ästhetik ; Frührenaissance ( Renaissance ) ; Renaissance ; Rhetorik ;
Renaissance - Frührenaissance, Ästhetische Theorie der Renaissance - Leon
Battista Alberti
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Ästhetische Theorie der Renaissance - Leon Battista Alberti:
Ästhetik ; Frührenaissance ( Renaissance ) ; Renaissance ; Rhetorik ;
Renaissance - Frührenaissance, Ästhetische Theorie der Renaissance - Leon
Battista Alberti
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Leon Battista Alberti's Hypnerotomachia Poliphili: Re-Cognizing the
Architectural Body in the Early Italian Renaissance:
A critical-theoretical reading of the strange, dreamlike work of Leon Battista
Alberti., Architecture ; History - General ; International Architecture -
European, Leon Battista Alberti's Hypnerotomachia Poliphili: Re-Cognizing the
Architectural Body in the Early Italian Renaissance
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Leon Battista Alberti's Hypnerotomachia Poliphili: Re-Cognizing the
Architectural Body in the Early Italian Renaissance:
A critical-theoretical reading of the strange, dreamlike work of Leon Battista
Alberti., Architecture ; History - General ; International Architecture -
European, Leon Battista Alberti's Hypnerotomachia Poliphili: Re-Cognizing the
Architectural Body in the Early Italian Renaissance
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Leon Battista Alberti: Master Builder of the Renaissance:
Leon Battista Alberti (1404-1472) was one of the most exciting figures of the
Italian Renaissance. He wrote the first modern treatise on painting, the first
modern manual of classical architecture, and a powerful set of 'dialogues' about
the princely families of Florence. But Alberti also made his own spectacular
advances in the art of painting and in engineering, and was responsible for some
of the most exciting architectural designs in Italy. In this volume, one of our
most distinguished Renaissance scholars offers the superlative biography and
cultural history that Alberti has long deserved. It is a compelling portrait of
a mysterious and original intellectual., Biography / Autobiography ; Historical
- General ; Artists, Architects, Photographers ; Photographers. Historical -
General Architects Artists, Leon Battista Alberti: Master Builder of the
Renaissance
bol.ch - Das einfach runde Partnerprogramm
Leon Battista Alberti: Master Builder of the Renaissance:
Leon Battista Alberti (1404-1472) was one of the most exciting figures of the
Italian Renaissance. He wrote the first modern treatise on painting, the first
modern manual of classical architecture, and a powerful set of 'dialogues' about
the princely families of Florence. But Alberti also made his own spectacular
advances in the art of painting and in engineering, and was responsible for some
of the most exciting architectural designs in Italy. In this volume, one of our
most distinguished Renaissance scholars offers the superlative biography and
cultural history that Alberti has long deserved. It is a compelling portrait of
a mysterious and original intellectual., Biography / Autobiography ; Historical
- General ; Artists, Architects, Photographers ; Photographers. Historical -
General Architects Artists, Leon Battista Alberti: Master Builder of the
Renaissance
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Leon Battista Alberti., Baumeister der Renaissance:
Das Buch: Leon Battista Alberti (1404-1472) zählt zu den originellsten, kreativsten und aufregendsten Gestalten der italienischen Renaissance. Für Jacob Burckhardt verkörperte er das Ideal des Universalgelehrten, des 'uomo universale', der in Literatur, Malerei und Mathematik genauso bewandert war wie in Architektur und Musik. Wenn das Alberti-Bild seit Burckhardt auch differenzierter geworden ist, bleiben Albertis Hauptverdienste doch unbestritten. So verfasste er den ersten 'modernen' Traktat über Malerei und das erste 'moderne' Handbuch klassischer Architektur, die beide enormen Einfluss auf nachfolgende Künstlergenerationen haben sollten. Er erweckte die vergessene Ästhetik der antiken Architektur zu neuem Leben und dokumentierte als kenntnisreicher und eleganter Kommentator die künstlerische Revolution in seiner Heimatstadt Florenz zu Beginn der Renaissance. Außerdem diente er mehreren bedeutenden Herrschern - darunter auch Papst Nikolaus V. - , Kunstgeschichte ; Alberti, Leon B. ; Architekten (Einz.) ; Renaissance, Kunst; Architektur, Leon Battista Alberti.
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Leon Battista Alberti., Baumeister der Renaissance:
Das Buch: Leon Battista Alberti (1404-1472) zählt zu den originellsten,
kreativsten und aufregendsten Gestalten der italienischen Renaissance.
Für Jacob Burckhardt verkörperte er das Ideal des Universalgelehrten, des
'uomo universale', der in Literatur, Malerei und Mathematik genauso bewandert
war wie in Architektur und Musik. Wenn das Alberti-Bild seit Burckhardt
auch differenzierter geworden ist, bleiben Albertis Hauptverdienste doch
unbestritten. So verfasste er den ersten 'modernen' Traktat über Malerei
und das erste 'moderne' Handbuch klassischer Architektur, die beide enormen
Einfluss auf nachfolgende Künstlergenerationen haben sollten. Er erweckte
die vergessene Ästhetik der antiken Architektur zu neuem Leben und dokumentierte
als kenntnisreicher und eleganter Kommentator die künstlerische Revolution
in seiner Heimatstadt Florenz zu Beginn der Renaissance. Außerdem diente
er mehreren bedeutenden Herrsc, Kunstgeschichte ; Alberti, Leon B. ; Architekten
(Einz.) ; Renaissance, Kunst; Architektur, Leon Battista Alberti.
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Leon Battista Alberti., Baumeister der Renaissance:
Das Buch: Leon Battista Alberti (1404-1472) zählt zu den originellsten, kreativsten und aufregendsten Gestalten der italienischen Renaissance. Für Jacob Burckhardt verkörperte er das Ideal des Universalgelehrten, des 'uomo universale', der in Literatur, Malerei und Mathematik genauso bewandert war wie in Architektur und Musik. Wenn das Alberti-Bild seit Burckhardt auch differenzierter geworden ist, bleiben Albertis Hauptverdienste doch unbestritten. So verfasste er den ersten 'modernen' Traktat über Malerei und das erste 'moderne' Handbuch klassischer Architektur, die beide enormen Einfluss auf nachfolgende Künstlergenerationen haben sollten. Er erweckte die vergessene Ästhetik der antiken Architektur zu neuem Leben und dokumentierte als kenntnisreicher und eleganter Kommentator die künstlerische Revolution in seiner Heimatstadt Florenz zu Beginn der Renaissance. Außerdem diente er mehreren bedeutenden Herrschern - darunter auch Papst Nikolaus V. - , Kunstgeschichte ; Alberti, Leon B. ; Architekten (Einz.) ; Renaissance, Kunst; Architektur, Leon Battista Alberti.
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Leon Battista Alberti., Baumeister der Renaissance:
Das Buch: Leon Battista Alberti (1404-1472) zählt zu den originellsten,
kreativsten und aufregendsten Gestalten der italienischen Renaissance.
Für Jacob Burckhardt verkörperte er das Ideal des Universalgelehrten, des
'uomo universale', der in Literatur, Malerei und Mathematik genauso bewandert
war wie in Architektur und Musik. Wenn das Alberti-Bild seit Burckhardt
auch differenzierter geworden ist, bleiben Albertis Hauptverdienste doch
unbestritten. So verfasste er den ersten 'modernen' Traktat über Malerei
und das erste 'moderne' Handbuch klassischer Architektur, die beide enormen
Einfluss auf nachfolgende Künstlergenerationen haben sollten. Er erweckte
die vergessene Ästhetik der antiken Architektur zu neuem Leben und dokumentierte
als kenntnisreicher und eleganter Kommentator die künstlerische Revolution
in seiner Heimatstadt Florenz zu Beginn der Renaissance. Außerdem diente
er mehreren bedeutenden Herrsc, Kunstgeschichte ; Alberti, Leon B. ; Architekten
(Einz.) ; Renaissance, Kunst; Architektur, Leon Battista Alberti.
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Pax et concordia. Rombach Wissenschaften Reihe Quellen zur Kunst, Band 27, Das
Heilige Grab von Leon Battista Alberti als Memorialbau des Florentiner Unionsko:
Der von Leon Battista Alberti in einer Seitenkapelle der Florentiner Kirche San
Pancrazio errichtete Heiliggrab-Tempietto wurde von der Forschung bisher fast
ausschließlich als privates Grabmonument seines Stifters Giovanni Rucellai
rezipiert. Die vorliegende Studie soll klären, weshalb Bauherr und Architekt den
für das 15. Jahrhundert ungewöhnlichen Bautyp der Heiliggrabkopie bewußt
aufgreifen ? ein klarer Anachronismus im Angesicht der humanistischen
Grabtradition in Florenz. Um Anhaltspunkte über den Stellenwert einer
Heiliggrabkopie im Kontext der Unionskirche zu gewinnen, zieht die Studie auch
zeitgenössische dokumentarische und literarische Zeugnisse heran, die Aufschluß
über Rezeption und Bedeutung des Grabes Christi im 15. Jahrhundert erlauben.,
Kunstgeschichte ; Grab - Grabmal - Grabstein ; Florenz / Kunst, Architektur,
Design ; Alberti, Leon B. ; Grabmal - Grabstein ( Grab ), Pax et concordia.
Rombach Wissenschaften Reihe Quellen zur Kunst, Band 27
Lion.cc – das Partnerprogramm mit Brüllerpreisen
Pax et concordia. Rombach Wissenschaften Reihe Quellen zur Kunst, Band 27, Das
Heilige Grab von Leon Battista Alberti als Memorialbau des Florentiner Unionsko:
Der von Leon Battista Alberti in einer Seitenkapelle der Florentiner Kirche San
Pancrazio errichtete Heiliggrab-Tempietto wurde von der Forschung bisher fast
ausschließlich als privates Grabmonument seines Stifters Giovanni Rucellai
rezipiert. Die vorliegende Studie soll klären, weshalb Bauherr und Architekt den
für das 15. Jahrhundert ungewöhnlichen Bautyp der Heiliggrabkopie bewußt
aufgreifen ? ein klarer Anachronismus im Angesicht der humanistischen
Grabtradition in Florenz. Um Anhaltspunkte über den Stellenwert einer
Heiliggrabkopie im Kontext der Unionskirche zu gewinnen, zieht die Studie auch
zeitgenössische dokumentarische und literarische Zeugnisse heran, die Aufschluß
über Rezeption und Bedeutung des Grabes Christi im 15. Jahrhundert erlauben.,
Kunstgeschichte ; Grab - Grabmal - Grabstein ; Florenz / Kunst, Architektur,
Design ; Alberti, Leon B. ; Grabmal - Grabstein ( Grab ), Pax et concordia.
Rombach Wissenschaften Reihe Quellen zur Kunst, Band 27
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Leon Battista Alberti:
This book is in New - Excellent condition
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On Leon Battista Alberti:
No Synopsis Available
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Leon Battista Alberti:
This book is in New - Excellent condition
Bookbyte.com
Leon Battista Alberti's Hypnerotomachia Poliphili:
This book is in New - Excellent condition
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Leon Battista Alberti's Hypnerotomachia Poliphili:
No Synopsis Available
Bookbyte.com
Leon Battista Alberti's Hypnerotomachia Poliphili:
This book is in New - Excellent condition
Indigo Books & Music
Leon Battista Alberti''s Hypnerotomachia Poliphili:
The enigmatic, polyglot Hypnerotomachia Poliphili--the inspiration for the
bestselling novel "The Rule of Four--has fascinated architects and historians
since its publication in 1499...
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Leon Battista Alberti: Master Builder of the Italian Renaissance:
No Synopsis Available
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Leon Battista Alberti - Church of Sant Andrea:
Kunstdruck, Groesse (cm): 61 x 46,versandfertig: 5-10 Tage - im poster.de
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Leon Battista Alberti - Firenze Santa Maria Novella:
Kunstdruck, Motiv - Staedte - Florenz, Groesse (cm): 84 x 59,versandfertig: 24
Stunden - im poster.de Rahmenstudio finden Sie die passende Rahmung.
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Leon Battista Alberti - Medallion Self Portrait (bronze):
Kunstdruck, Groesse (cm): 61 x 46,versandfertig: 5-10 Tage - im poster.de
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Leon Battista Alberti - Facade of Santa Maria Novella circa 1458-70:
Kunstdruck, Groesse (cm): 46 x 61,versandfertig: 5-10 Tage - im poster.de
Rahmenstudio finden Sie die passende Rahmung.
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Leon Battista Alberti's Hypnerotomachia Poliphili: Re-cognizing The
Architectural Body In The Early Italian Renaissance:
No Synopsis Available
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Theorie der Praxis., Leon Battista Alberti als Humanist und Theoretiker der
bildenden Künste.:
Kunstgeschichte ; Renaissance ; Architektur ; Alberti, Leon B. ; Renaissance,
Kunst, Theorie der Praxis.
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Theorie der Praxis., Leon Battista Alberti als Humanist und Theoretiker der
bildenden Künste.:
Kunstgeschichte ; Renaissance ; Architektur ; Alberti, Leon B. ; Renaissance,
Kunst, Theorie der Praxis.
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Theorie der Praxis., Leon Battista Alberti als Humanist und Theoretiker der
bildenden Künste.:
Kunstgeschichte ; Renaissance ; Architektur ; Alberti, Leon B. ; Renaissance,
Kunst, Theorie der Praxis.
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Theorie der Praxis., Leon Battista Alberti als Humanist und Theoretiker der
bildenden Künste.:
Kunstgeschichte ; Renaissance ; Architektur ; Alberti, Leon B. ; Renaissance,
Kunst, Theorie der Praxis.
Indigo Books & Music
Leon Battista Alberti''s Hypnerotomachia Poliphili: Eros, Furore, & Humanism in
the Early Italian Renaissance:
The Hypnerotomachia Poliphili has long been considered the most legendary and
enigmatic architectural book ever written...
Indigo Books & Music
On Alberti And The Art Of Building:
Although Leon Battista Alberti lived and built more than 500 years ago, his
influence still resonates today...
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Della Pittura / Über die Malkunst., Italien.-Dtsch.:
Der Traktat über die Malkunst von Leon Battista Alberti (1404-1472) isteiner der
grundlegenden Quellentexte für die Geschichte der Malerei. DieseAusgabe enthält
den italienischen Text von 1435/36, eine Neuübersetzungder Herausgeber, ferner
Einleitung, Kommentar und Bibliographie., Kunstgeschichte ; Frührenaissance (
Renaissance ) ; Malerei ; Alberti, Leon B. ; Renaissance - Frührenaissance,
Della Pittura / Über die Malkunst.
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Della Pittura / Über die Malkunst., Italien.-Dtsch.:
Der Traktat über die Malkunst von Leon Battista Alberti (1404-1472) isteiner der
grundlegenden Quellentexte für die Geschichte der Malerei. DieseAusgabe enthält
den italienischen Text von 1435/36, eine Neuübersetzungder Herausgeber, ferner
Einleitung, Kommentar und Bibliographie., Kunstgeschichte ; Frührenaissance (
Renaissance ) ; Malerei ; Alberti, Leon B. ; Renaissance - Frührenaissance,
Della Pittura / Über die Malkunst.
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Della Pittura / Über die Malkunst., Italien.-Dtsch.:
Der Traktat über die Malkunst von Leon Battista Alberti (1404-1472) isteiner der
grundlegenden Quellentexte für die Geschichte der Malerei. DieseAusgabe enthält
den italienischen Text von 1435/36, eine Neuübersetzungder Herausgeber, ferner
Einleitung, Kommentar und Bibliographie., Kunstgeschichte ; Frührenaissance (
Renaissance ) ; Malerei ; Alberti, Leon B. ; Renaissance - Frührenaissance,
Della Pittura / Über die Malkunst.
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The Lost Italian Renaissance: Humanists, Historians, and Latin's Legacy:
In this groundbreaking work of intellectual history, Christopher Celenza argues
that serious interest in the intellectual life of Renaissance Italy can be
reinvigorated-and the nature of the Renaissance itself reconceived-by recovering
a major part of its intellectual and cultural activity that has been largely
ignored since the Renaissance was first 'discovered': the vast body of
works-literary, philosophical, poetic, and religious-written in Latin by major
figures such as Leonardo Bruni, Lorenzo Valla, Marsilio Ficino, and Leon
Battista Alberti, as well as minor but interesting thinkers like Lapo da
Castiglionchio the Younger., History - General History ; Neuroscience ; Europe -
Italy ; European - General, The Lost Italian Renaissance: Humanists, Historians,
and Latin's Legacy
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The Emergence of Modern Architecture: A Documentary History, from 1000 to 1800
(Hardback):
ISBN: 0415260248 Stock status: Temporarily out of stock Published: Mar 2004
Format: Hardback Pages: 552 The book, a documentary history, records a cognitive
history of the emergence of modern architecture. Cutting across disciplinarian
and institutional divisions as we know them today, it reconstructs developments
within the framework of a cognitive history of the past. Modern is here taken to
mean the radical re-thinking of architecture from the end of the tenth century
in Europe to the end of the eighteenth century. Among the key debates that mark
the period are those that oppose tradition to innovation, canon to discovery,
geometrical formality to natural picturesqueness, the functional to the
hedonistic. These conceptual changes are interwoven with institutional
transformations which are also recorded here: the gradual separation of the
architect from the ranks of the craftsperson, the increasing division between
the professional categories we recognize today: architect, landscape architect,
engineer and urban planner, the struggle of the designer to secure a position as
an autonomous specialist, an intellectual, a free and critical commentator upon
the state of human affairs. The hypothesis here is that by the end of the
eighteenth century, when this documentary history ends, the conceptual,
professional and educational structures for the practice and propagation of
modern architecture are in place. The foundations of architectural thinking
emerge essentially as they still are today. Contents: 1 late 10th century - Leo
of Naples "Letter of Alexander the Great to Aristotle" Alexander Romance - 2
1057 - Adelhard Account of the Abbey of Saint-Trond - 3 c 1110 - Baudri, Bishop
of Dol Description of Fecamp - 4 late 1120s - Hugh of Saint-Victor Didascalicon
- 5 1125 - Bernard of Clairveaux Strong Words to William - 6 c 1143 - Anonymous
The Marvels of the City of Rome - 7 1144 - Abbot Suger On the Consecration of
the Church of Saint-Denis - 8 1144-1149 - Abbot Suger On Matters of
Administration - 9 1216 - Robert of Clari The Conquest of Constantinople - 10 c
1270 - Albrecht The Young Titurel - 11 late 13th century - Marco Polo and
Rustichello of Pisa The Travels of Marco Polo - 12 c 1306-1309 - Dante
(Alighieri) Inferno - 13 April 26, 1342 - (Francesco) Petrarch The Ascent of
Mount Ventoux - 14 late summer 1347 - (Francesco) Petrarch Vaucluse - 15 1400,
1401 - Anonymous Annals of the Duomo of Milan - 16 c 1410 - Christine de Pisan
The Book of Military and Chivalric Feats - 17 c 1428 - Leon Battista Alberti
Book of the Family - 18 1435-1436 - Leon Battista Alberti On Painting - 19
1440-1472 composed - 1485 published - Leon Battista Alberti On Building - 20
1451-1464 - Antonio Averlino, called Filarete Treatise on Architecture - 21 1467
completed - 1499 published - Generally attributed to Francesco Colonna
Hypnerotomachia Poliphili - 22 1474-1482 - Francesco di Giorgio Martini
Treatises on Civi
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A Treatise on Painting:
Compiled many years after his death from numerous original manuscripts, 'A
Treatise on Painting 'is the principal repository of Leonardo da Vinci's
practical thoughts on the technique of drawing and painting. It begins with
precise instructions on drawing the human body and then moves on to techniques
of rendering motion. Other topics covered are perspective, composition, the
expression of various emotions, creating effects of light and shadow, and color.
With 48 anatomical drawings by the French classicist master Nicholas Poussin and
geometrical and architectural designs by the great Renaissance architect Leon
Battista Alberti, this famous book remains one of the most useful and valuable
art instruction books of all time.Unabridged republication of the John Francis
Rigaud translation, as published by George Bell and Sons, London, 1877., Art &
Art Instruction ; Techniques - Painting, A Treatise on Painting
bol.de - Das einfach runde Partnerprogramm
A Treatise on Painting:
Compiled many years after his death from numerous original manuscripts, 'A
Treatise on Painting 'is the principal repository of Leonardo da Vinci's
practical thoughts on the technique of drawing and painting. It begins with
precise instructions on drawing the human body and then moves on to techniques
of rendering motion. Other topics covered are perspective, composition, the
expression of various emotions, creating effects of light and shadow, and color.
With 48 anatomical drawings by the French classicist master Nicholas Poussin and
geometrical and architectural designs by the great Renaissance architect Leon
Battista Alberti, this famous book remains one of the most useful and valuable
art instruction books of all time.Unabridged republication of the John Francis
Rigaud translation, as published by George Bell and Sons, London, 1877., Art &
Art Instruction ; Techniques - Painting, A Treatise on Painting
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Humanist Comedies:
The five comedies included in this volume, three of which have never been
translated into English, present a characteristic sampling of comic form as it
was interpreted by some of the most important Latin humanists of the
Quattrocento. Pier Paolo Vergerio's Paulus (ca. 1390), Philodoxeos fabula (1424)
by Leon Battista Alberti, Philogenia et Epiphebus (ca. 1440) by Ugolino Pisani,
Chrysis (1444) by Aeneas Silvius Piccolomini (later Pope Pius II), and Tommaso
Medio's Epirota (1483) span nearly the entire period and are a valuable gauge of
its changing literary tastes, tastes nourished by the ancient comic drama of
Plautus and Terence. While the earliest of the humanist comedies seem almost
medieval in their moralism, the didacticism of the pulpit is cleverly seasoned
with the unabashed realism of the brothel to produce a mixture that looks
forward to the more modern, sophisticated comedies written in the vernacular
during the Cinquecento., Plays / Drama ; Ancient, Classical & Medieval ;
Continental European ; Classical & Medieval Ancient, Humanist Comedies
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The Joyous Friar: The Story of Fra Filippo Lippi:
1927. With nine reproductions from paintings. Anderson's biographical novel of
Fra Filippo, called Lippo Lippi, one of the foremost Florentine painters of the
early Renaissance. Contents: The Artistic Temperament; At the Inn of the Girdle;
Lucrezia de' Buti; Fra Filippo Persuades; Leon Battista Alberti; The Dead Hand;
Madonna Herodias; To My Most Gracious Lady; The Carnival; Maddalena; The
Painting of a Soul; The Rule of Mother Prioress; On Breaking Enclosure; The
First of May; In the Via Delle Tre Gore; The Study of the Uffizi Madonna; In
Florence; What Had Happened at Prato; Filippino; Winning Through; Reparation;
The Accusation; Messer Carlo de' Medici; From Perugia to Prato; Man and Wife;
Rest After Strife; The Painter's Masterpiece; Frater Filippus. Op.; Our Lady of
Tears; In Memory of Fra Filippo; and Historical Basis of The Joyous Friar.,
Fiction - Historical ; Historical - General, The Joyous Friar: The Story of Fra
Filippo Lippi
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A Treatise on Painting:
Compiled many years after his death from numerous original manuscripts, A
Treatise on Painting is the principal repository of Leonardo da Vinci's
practical thoughts on the technique of drawing and painting. It begins with
precise instructions on drawing the human body and then moves on to techniques
of rendering motion. Other topics covered are perspective, composition, the
expression of various emotions, creating effects of light and shadow, and color.
With 48 anatomical drawings by the French classicist master Nicholas Poussin and
geometrical and architectural designs by the great Renaissance architect Leon
Battista Alberti, this famous book remains one of the most useful and valuable
art instruction books of all time.Unabridged republication of the John Francis
Rigaud translation, as published by George Bell and Sons, London, 1877.
Shop.com - UK
On Painting (Classics S.) - Alberti, Leon Battista:
ISBN: 0140433317 Published: Feb 1991 Format: Paperback Pages: 112 Artist,
architect, poet and philosopher, Leon Battista Alberti revolutionized the
history of art with his theories of perspective in On Painting (1435). Inspired
by the order and beauty inherent in nature, his groundbreaking work sets out the
principles of distance, dimension and proportion; instructs the painter on how
to use the rules of composition, representation, light and colour to create work
that is graceful and pleasing to the eye; and stipulates the moral and artistic
pre-requisites of the successful painter. On Painting had an immediate and
profound influence on Italian Renaissance artists including Ghiberti, Fra
Angelico and Veneziano and on later figures such as Leonardo da Vinci, and
remains a compelling theory of art. Brief Description: Alberti`s "Della Pittura"
was the first modern analytical study of painting. A systematic description of
the one-point perspective construction, it was designed to persuade both patron
and painter in the Renaissance to discard the old tastes in painting for the
new.
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Tropical Architecture., Critical Regionalism in the Age of Globalization:
ALEXANDER TZONIS is Professor of Architectural Theory at the TUDelft and
director of Design Knowledge Systems Research Center. Among his books are
Towards a Non-Oppressive Environment (I-Press/MIT Press, 1972) and Hermes and
the Golden Thinking Machine (Bradford/MIT Press, 1990). He has also co-authored
several books with Liane Lefaivre, including Classical Architecture (MIT Press,
1986) and the AIA prize-winning Architecture in Europe since 1968 (Thames
Hudson, 1992). LIANE LEFAIVRE is a researcher at the DKS Center at the TUDelft.
She has authored prize-winning scholarly books on the Renaissance and
Enlightenment, among them the AIA award-winning Leon Battista Alberti's
Hypnerotomachia Poliphili (MIT Press, 1997). She is a contributing editor of
Architecture magazine in New York and has written widely on contemporary
architecture, in particular on dirty realism. BRUNO STAGNO, a practising
architect in San Jose, Costa Rica, studies in Santiage, Chile and Paris and is
one of the most eminent architects of Sou, Architektur / Geschichte, Regionen ;
architecture ; Kunst ; Ökologie / Geografie, Klima, Landschaft, Boden ; Bau /
Ökologie, Tropical Architecture.
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Tropical Architecture., Critical Regionalism in the Age of Globalization:
ALEXANDER TZONIS is Professor of Architectural Theory at the TUDelft and
director of Design Knowledge Systems Research Center. Among his books are
Towards a Non-Oppressive Environment (I-Press/MIT Press, 1972) and Hermes and
the Golden Thinking Machine (Bradford/MIT Press, 1990). He has also co-authored
several books with Liane Lefaivre, including Classical Architecture (MIT Press,
1986) and the AIA prize-winning Architecture in Europe since 1968 (Thames
Hudson, 1992).
LIANE LEFAIVRE is a researcher at the DKS Center at the TUDelft. She has
authored prize-winning scholarly books on the Renaissance and Enlightenment,
among them the AIA award-winning Leon Battista Alberti's Hypnerotomachia
Poliphili (MIT Press, 1997). She is a contributing editor of Architecture
magazine in New York and has written widely on contemporary architecture, in
particular on dirty realism.
BRUNO STAGNO, a practising architect in San Jose, Costa Rica, studies in
Santiage, Chile and Paris and is one of the most eminent architects ,
Architektur / Geschichte, Regionen ; Kunst ; Ökologie / Geografie, Klima,
Landschaft, Boden ; Bau / Ökologie ; Bau / Umwelt, Tropical Architecture.
Lion.cc – das Partnerprogramm mit Brüllerpreisen
Tropical Architecture., Critical Regionalism in the Age of Globalization:
ALEXANDER TZONIS is Professor of Architectural Theory at the TUDelft and
director of Design Knowledge Systems Research Center. Among his books are
Towards a Non-Oppressive Environment (I-Press/MIT Press, 1972) and Hermes and
the Golden Thinking Machine (Bradford/MIT Press, 1990). He has also co-authored
several books with Liane Lefaivre, including Classical Architecture (MIT Press,
1986) and the AIA prize-winning Architecture in Europe since 1968 (Thames
Hudson, 1992).
LIANE LEFAIVRE is a researcher at the DKS Center at the TUDelft. She has
authored prize-winning scholarly books on the Renaissance and Enlightenment,
among them the AIA award-winning Leon Battista Alberti's Hypnerotomachia
Poliphili (MIT Press, 1997). She is a contributing editor of Architecture
magazine in New York and has written widely on contemporary architecture, in
particular on dirty realism.
BRUNO STAGNO, a practising architect in San Jose, Costa Rica, studies in
Santiage, Chile and Paris and is one of the most eminent architects ,
Architektur / Geschichte, Regionen ; Kunst ; Ökologie / Geografie, Klima,
Landschaft, Boden ; Bau / Ökologie ; Bau / Umwelt, Tropical Architecture.
bol.ch - Das einfach runde Partnerprogramm
Tropical Architecture., Critical Regionalism in the Age of Globalization:
ALEXANDER TZONIS is Professor of Architectural Theory at the TUDelft and
director of Design Knowledge Systems Research Center. Among his books are
Towards a Non-Oppressive Environment (I-Press/MIT Press, 1972) and Hermes and
the Golden Thinking Machine (Bradford/MIT Press, 1990). He has also co-authored
several books with Liane Lefaivre, including Classical Architecture (MIT Press,
1986) and the AIA prize-winning Architecture in Europe since 1968 (Thames
Hudson, 1992).
LIANE LEFAIVRE is a researcher at the DKS Center at the TUDelft. She has
authored prize-winning scholarly books on the Renaissance and Enlightenment,
among them the AIA award-winning Leon Battista Alberti's Hypnerotomachia
Poliphili (MIT Press, 1997). She is a contributing editor of Architecture
magazine in New York and has written widely on contemporary architecture, in
particular on dirty realism.
BRUNO STAGNO, a practising architect in San Jose, Costa Rica, studies in
Santiage, Chile and Paris and is one of the most eminent architects ,
Architektur / Geschichte, Regionen ; Kunst ; Ökologie / Geografie, Klima,
Landschaft, Boden ; Bau / Ökologie ; Bau / Umwelt, Tropical Architecture.
Buy.com USA and Buy.com CA
Sebastiano Serlio on Architecture, Volume One, Books I-V of 'Tutte L'Opere
D'Architecttura Et Prospe:
Few Renaissance theorists have influenced the development of western
architecture as much as Sebastiano Serlio (1475-1554). The collection of books
which represents his lifetime's work was to become invaluable to the majority of
northern European architects who, never having seen Rome, none the less
marvelled at Italian antiquities. Hence when Christopher Wren designed St.
Paul's cathedral, and when John Wood designed the streets of Bath, both
architects had Serlio's books to hand. On his death Serlio had published the
first five volumes of the planned seven-book treatise, and had witnessed their
enormous popularity, especially amongst the many patrons and architects eager to
emulate the splendours of antiquity and of Italian courts which sought her
renaissance. Serlio's treatise begins with the rules of geometry and
perspective, described in books one and two respectively, knowledge of which
formed the traditional preserve of the painter. Serlio's beautiful woodcut
illustrations in book three record the Golden Age of the Roman Empire, her
Baths, Temples, Palaces and Arches, whilst his text in book four outlines the
rules for designing modern elements ranging from fireplaces to facades based on
these monuments. To the Tuscan, Doric, Ionic and Corinthian columns which had
been discussed by the Roman author Vitruvius and the great quattrocento
philosopher-architect Leon Battista Alberti, Serlio added the Composite and
thereby established a canon of five Orders which held authority for over a
century. The fifth book illustrates the use of these Orders in twelve temple
designs of his own invention. This translation of Serlio's first five books by
Vaughan Hart and Peter Hicks replaces theonly other English version, that
produced in 1611 by Robert Peake, whose source was not the original Italian but
a corrupt Dutch translation. As such this is the first English translation of
Serlio's work to be based on his own editions and the first collection in any
language of all five books taken from Serlio's corrected originals. It
represents a major step in the recognition of Sebastiano Serlio as the most
important architectural writer of the sixteenth century.
Shop.com - UK
Interpreting the Renaissance: Princes, Cities, Architects (Harvard University
Graduate School of Design S.) (Hardback) - Tafuri, Manfredo:
ISBN: 0300111584 Published: Jun 2006 Format: Hardback Pages: 520 Manfredo Tafuri
(1935 - 1994) is acknowledged as one of Italy's most influential architectural
historians. In his final work, "Interpreting the Renaissance", published here in
English for the first time (the Italian edition, "Ricerca del Rinascimento",
appeared in 1992), Tafuri analyses Renaissance architecture from a variety of
perspectives, exploring questions that occupied him for over thirty years. What
theoretical terms were used to describe the humanist analogy between
architecture and language? Is it possible to identify the political motivations
behind the period's new urban strategies? And how does humanism embody both an
attachment to tradition and an urge to experiment? Tafuri studies the theory and
practice of Renaissance architecture, offering new and compelling readings of
its various social, intellectual and cultural contexts, while providing a broad
understanding of uses of representation that shaped the entire era. He
synthesises the history of architectural ideas and projects through discussions
of the great centres of architectural innovation in Italy (Florence, Rome and
Venice), key patrons from the middle of the fifteenth century (Pope Nicholas V)
to the early sixteenth century (Pope Leo X), and crucial figures such as Leon
Battista Alberti, Filippo Brunelleschi, Lorenzo de' Medici, Raphael, Baldassare
Castiglione and Giulio Romano. A magnum opus by one of Europe's finest scholars,
"Interpreting the Renaissance" is an essential book for anyone interested in the
architecture and culture of fifteenth- and sixteenth-century Italy. Brief
Description: Analyses Renaissance architecture from a variety of perspectives,
exploring questions such as what theoretical terms were used to describe the
humanist analogy between architecture and language. This work offers readings of
social, intellectual and cultural contexts, while providing a understanding of
uses of representation that shaped the era.
Shop.com - UK
Italian Renaissance Art (Icon Editions) - Adams, Laurie:
ISBN: 0813336910 Published: Jun 2001 Format: Paperback Pages: 432 The most
up-to-date and complete text on Italian Renaissance art and its artists yet
published, with over 400 illustrations, 215 in color.. } Art historian Laurie
Schneider Adams brings to students a vibrant and engaging presentation of
Renaissance art history that is supported by up-to-date scholarship and
methodology. The text opens with the late Byzantine work of Cimabue and
concludes with the transition to Mannerism. The authors focus is on the most
important and innovative artists and their principal works, with a clear
emphasis on selectivity and understanding. Italian Renaissance Art also focuses
on style and iconography, and on art and artists, incorporating different
methodological approaches to create a wider understanding and appreciation of
the art.Distinguishing features of this text include: *Over 400 illustrations,
with 215 in full color, are integrated with the text, and large enough to
properly view. *In depth coverage on the most important and innovative artists
and their principle works throughout Italy. *Side boxes that provide additional
material on techniques, biographical data, descriptions of artistic media, as
well as necessary background information are used in every chapter. *Controversy
boxes introduce some of the ongoing scholarly quarrels among Renaissance art
historians. *Maps, plans, and diagrams are also included throughout. A
historical chronology, a full glossary of art-historical terms, and a select
bibliography are also included at the end of the text.. } Contents: * - Part
One: Precursors of the Renaissance - Chapter One: The Thirteenth Century - The
Context - The Stylistic Background - Vasaris Lives and the Framing of the
Renaissance - Cimabue - Saints Dominic and Francis: Mendicant Friars - Nicola
and Giovanni Pisano - Duccio di Buoninsegna: The Rucellai Madonna - Siena and
Florence in 1300 - Giotto: The Santa Maria Novella Crucifix - Chapter Two:
Trecento Precursors - Giotto di Bondone - Sienese Painting in the Fourteenth
Century - Ambrogio Lorenzetti: Allegories of Good and Bad Government - 1348: The
Black Death - Andrea da Firenze: Way of Salvation - Andrea di Cione (Orcagna) -
* - Part Two: The Quattrocento - Chapter Three: Architecture and Sculpture in
Florence - The Competition of 1401 - Ghibertis Commentarii - Public Sculpture:
The Exterior of Florence Cathedral - Donatellos John the Evangelist - The
Architecture of Brunelleschi - Late Work: Santa Maria degli Angeli and the Ideal
of the Circular Plan - Or San Michele: The Exterior Niches - Chapter Four:
Painting in Florence: 1400-1430 - Lorenzo Monacos Coronation of the Virgin -
Gentile da Fabrianos Adoration of the Magi : 1423 - Masaccio - The Brancacci
Chapel Frescoes - Chapter Five: Painting in Florence: 1430-1460 - Leon Battista
Alberti: On Painting - Fra Angelico - Filippo Lippi - Chapter Six: Painting in
Florence, II: 1430-1460 - Paolo Uccello - Domenico Veneziano - Andrea
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