Lion.cc – das Partnerprogramm mit Brüllerpreisen
Carl Andre. Glarus 1993-2004, Zur Ausstellung in der Galerie Tschudi Glarus,
2005. Dtsch.-Engl. Mit e. Text v. Eva Meyer-Hermann:
Ausstellungskatalog / Kunst (seit 1900) ; Künstler ; Glarus; Museen ; Minimal
art ; Andre, Carl, Carl Andre. Glarus 1993-2004
Lion.cc – das Partnerprogramm mit Brüllerpreisen
Carl Andre. Glarus 1993-2004, Zur Ausstellung in der Galerie Tschudi Glarus,
2005. Dtsch.-Engl. Mit e. Text v. Eva Meyer-Hermann:
Ausstellungskatalog / Kunst (seit 1900) ; Künstler ; Glarus; Museen ; Minimal
art ; Andre, Carl, Carl Andre. Glarus 1993-2004
bol.de - Das einfach runde Partnerprogramm
Carl Andre. Glarus 1993-2004, Zur Ausstellung in der Galerie Tschudi Glarus,
2005. Dtsch.-Engl. Mit e. Text v. Eva Meyer-Hermann:
Ausstellungskatalog / Kunst (seit 1900) ; Künstler ; Glarus; Museen ; Minimal
art ; Andre, Carl, Carl Andre. Glarus 1993-2004
bol.de - Das einfach runde Partnerprogramm
Carl Andre. Glarus 1993-2004, Zur Ausstellung in der Galerie Tschudi Glarus,
2005. Dtsch.-Engl. Mit e. Text v. Eva Meyer-Hermann:
Ausstellungskatalog / Kunst (seit 1900) ; Künstler ; Glarus; Museen ; Minimal
art ; Andre, Carl, Carl Andre. Glarus 1993-2004
Indigo Books & Music
Minimalism:
The controversy surrounding Carl Andre''s Equivalent VIII, made of 120
firebricks, gives an idea of the difficulty some people have in seeing such work
as art...
Indigo Books & Music
Cuts:
Just as Carl Andre''s sculptures are "cuts" of elemental materials, his writings
are condensed expressions, "cuts" of language that emphasize the part rather
than the whole...
bol.de - Das einfach runde Partnerprogramm
Cuts: Texts 1959-2004:
Statements, dialogue, letters, epigrams, and poems by sculptor Carl Andre, a
central figure in minimalism., Literature - Classics / Criticism ; Individual
Artist ; American - General, Cuts: Texts 1959-2004
Buy.com USA and Buy.com CA
Earthworks: Art and the Landscape of the Sixties:
Boettger's narrative is the first comprehensive history of Earthworks, setting
the movement in its cultural, art historical, and political contexts of the late
1960s. The Earthworks movement, the forerunner of Land Art, began in the U.S.
with Robert Smithson in the late 1960s and included Walter DeMaria, Michael
Heizer, Carl Andre, and Jan Dibbets.
Buy.com USA and Buy.com CA
Minimalism:
The controversy surrounding Carl Andre's Equivalent VIII, made of 120
firebricks, gives an idea of the difficulty some people have in seeing such work
as art. This book aims to show not only how 'The Bricks' can be seen as art, but
that sculpture such as this is some of the most interesting and imaginative work
to come out of the 1960s. The term Minimalism has been applied to this type of
art. Although the artists involved did not regard themselves as a group, the
work is typically abstract three-dimensional, modular, geometric, preconceived
in design and industrial in execution. This introduction examines the
implications of these characteristics. Looking in particular at the work of five
key artists - Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt and Robert Morris
- the author highlights some of the important differences in the development and
direction of each artist's work.
bol.ch - Das einfach runde Partnerprogramm
Earthworks: Art and the Landscape of the Sixties:
Boettger's narrative is the first comprehensive history of Earthworks, setting
the movement in its cultural, art historical, and political contexts of the late
1960s. The Earthworks movement, the forerunner of Land Art, began in the U.S.
with Robert Smithson in the late 1960s and included Walter DeMaria, Michael
Heizer, Carl Andre, and Jan Dibbets., Art & Art Instruction ; History - Modern
(Late 19th Century to 1945), Earthworks: Art and the Landscape of the Sixties
bol.ch - Das einfach runde Partnerprogramm
Earthworks: Art and the Landscape of the Sixties:
Boettger's narrative is the first comprehensive history of Earthworks, setting
the movement in its cultural, art historical, and political contexts of the late
1960s. The Earthworks movement, the forerunner of Land Art, began in the U.S.
with Robert Smithson in the late 1960s and included Walter DeMaria, Michael
Heizer, Carl Andre, and Jan Dibbets., Art & Art Instruction ; Criticism ;
Landscape ; American - General, Earthworks: Art and the Landscape of the Sixties
Bunches of Books
Minimalism (Movements in Modern Art):
The controversy surrounding Carl Andre's Equivalent VIII, made of 120
firebricks, gives an idea of the difficulty some people have in seeing such
works as art. This book aims to show not only how "The Bricks" can be seen as
art, but that sculpture such as this is some of the most interesting and
imaginative work to come out of the 1960s. The term Minimalism has been applied
to this type of art. Although the artists involved did not regard themselves as
a group, the work is typically abstract, three-dimensional, modular, geometric,
preconceived in design and industrial in execution. This introduction examines
the implications of these characteristics. Looking in particular at the work of
five key artists--Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt and Robert
Morris--the author highlights some of the important differences in the
development and direction of each artist's work. This thought-provoking
publication also looks at the varied types of criticism and interpretation to
which Minimalism has been subjected over the years. It ends by discussing how
Minimalism, which has had a huge influence on subsequent art, continues to
inform the work of contemporary artists.
bol.de - Das einfach runde Partnerprogramm
George Ettl: Oeuvres, Maquettes, Projects 1967-2000:
Over the last thirty years, Georg Ettl's constant urge to explore an art that
can be at once general and personal has produced the works reproduced in this
long overdue, expanded monograph. Little known despite a career in America and
Germany, Ettl's oeuvre has been exhibited alongside that of Carl Andre, Hans
Haacke, Nam June Paik, Jeff Koons, Sherrie Levine, and many, many others., Art &
Art Instruction ; Individual Artist ; History - Modern (Late 19th Century to
1945), George Ettl: Oeuvres, Maquettes, Projects 1967-2000
Buy.com USA and Buy.com CA
Art & Context: The '50s and '60s:
Prior to the 1960s, art objects were viewed as wholly distinct from non-art. But
by mid-decade, that perspective was being challenged by artists such as Andy
Warhol, whose Brillo Boxes looked exactly like the real ones; Roy Lichtenstein,
whose paintings imitated comic book pages; and Carl Andre, whose floor
sculptures were, in fact, slabs of industrial metal. Art and Context examines
how these pieces, and others like them, relate to a society bombarded by
advertising while also in the midst of a cultural revolution--as evidenced by
the growing acceptance of civil rights, feminism, drug use, and sexual
freedom--and offers a solid basis for understanding the art of the past half
century.
Lion.cc – das Partnerprogramm mit Brüllerpreisen
Gegen Kandinsky, Zur Ausstellung Im Museum Villa Stuck, München, 2006/2007.
Dtsch.-Engl.:
Against Kandinsky examines the schism between Expressionism and Geometric
Abstraction--the two canons which have competed for stylistic and theoretical
supremacy in Modernist history. Within this historical context, Wassily
Kandinsky occupies a unique position as both the originator of Expressionistic
painting and a tireless defender of the intuitive mode of abstraction. Against
Kandinsky consists of four sections, each presenting a case for a certain
resistance against the styles and ideas that Kandinsky represented. It looks at
the history of twentieth-century abstraction from a broadened perspective of
cultural and social history that emphasizes the parallels between European and
American art, with work by Carl Andre, Eric Bulatov, Willem de Kooning, Donald
Judd, Sol LeWitt, Hannes Meyer, Lucia Moholy, Walter Peterhans, Liubov Popova,
Aleksandr Rodchenko and Frank Stella.
, Malerei (Kunst) ; Kandinsky, Wassily ; Abstrakte Kunst ; München; Museen ;
Villa Stuck (München), Gegen Kandinsky
bol.de - Das einfach runde Partnerprogramm
Conceptual Art in the Netherlands and Belgium 1965-1975: Artists, Collectors,
Galleries, Documents, Exhibitions, Events:
Many of today's artists display an affinity for the techniques and subjects of
1960s and 70s conceptual art. A new look at the work of Bas Jan Ader, Carl
Andre, Art & Language, John Baldessari, Marcel Broodthaers, Daniel Buren, Jan
Dibbets, Gilbert & George, Joseph Kosuth, Sol Lewitt, Bruce Nauman, On Kawara,
Edward Ruscha, Robert Ryman, Robert Smithson, Lawrence Weiner, and others bears
exploring in relation to the processes and themes of contemporary art. By
considering conceptual art in the Netherlands & Belgium 1965-1975, this
publication hopes to answer such questions, especially in relation to the
Netherlands as a melting pot for ideas and the importance of Dutch institutions
in supporting and disseminating conceptual art., Art & Art Instruction ;
European ; Conceptual, Conceptual Art in the Netherlands and Belgium 1965-1975:
Artists, Collectors, Galleries, Documents, Exhibitions, Events
Lion.cc – das Partnerprogramm mit Brüllerpreisen
Hymnal:
Again from Tokyo, WIZARDS’ HYMN is a female fronted power metal act that brings
a fresh feel to the genre. Guitarist Tsutomu Aruga is a young man with an
extremely bright future – the precision and flair in his playing is little shor
t of astounding – and vocalist Kimiko Shirao’s angelic tone floats ethereally
above the maelstrom created by Aruga and the powerful rhythm section of bassist
Toshimasa Kato and drummer Kensuke Imai. Compositionally, WIZARDS’ HYMN show a
maturity well in advance of their tender years.
True to say that there’s nothing here you won’t have heard before…but I doubt
you will ever have heard it quite like this! Housed in superb artwork courtesy
of European artist supreme Carl-Andre Beckston, this is definitely one for the
discerning power metal enthusiasts., Hymnal
bol.ch - Das einfach runde Partnerprogramm
Minimalisms: A Sign of the Times:
Rather than limit the minimal to being a type of visual art, the curators of
Minimalisms: A Sign of the Times conceive of the minimal as a way of life, as a
spirit that impregnates nearly the whole of modern culture and its surroundings.
After an exhaustive overview of classic Minimalist works by Dan Flavin, Frank
Stella, Agnes Martin, Carl Andre, and Elsworth Kelly, Minimalisms looks further,
at artworks by Andreas Gursky, Candida Hoffer, Richard Serra, Jean-Marc
Bustamante, and Gunther Forg, architecture by Peter Zumthor, Dominique Perrault,
Claus En Kaan, and Rafael Moneo, furniture designs by Donald Judd and Shiro
Kuramate, and fashion designs by Anni Albers, Donna Karan, and Issey Miyaki.
Linking them all is a simplicity of form and ornament, a technical precision,
and the essential and concrete nature of structure., Art & Art Instruction ;
Criticism ; History - Modern (Late 19th Century to 1945), Minimalisms: A Sign of
the Times
bol.ch - Das einfach runde Partnerprogramm
Conceptual Art in the Netherlands and Belgium 1965-1975: Artists, Collectors,
Galleries, Documents, Exhibitions, Events:
Many of today's artists display an affinity for the techniques and subjects of
1960s and 70s conceptual art. A new look at the work of Bas Jan Ader, Carl
Andre, Art & Language, John Baldessari, Marcel Broodthaers, Daniel Buren, Jan
Dibbets, Gilbert & George, Joseph Kosuth, Sol Lewitt, Bruce Nauman, On Kawara,
Edward Ruscha, Robert Ryman, Robert Smithson, Lawrence Weiner, and others bears
exploring in relation to the processes and themes of contemporary art. By
considering conceptual art in the Netherlands & Belgium 1965-1975, this
publication hopes to answer such questions, especially in relation to the
Netherlands as a melting pot for ideas and the importance of Dutch institutions
in supporting and disseminating conceptual art., Art & Art Instruction ;
European ; Conceptual, Conceptual Art in the Netherlands and Belgium 1965-1975:
Artists, Collectors, Galleries, Documents, Exhibitions, Events
bol.de - Das einfach runde Partnerprogramm
Contemporary Artists:
Now a two volume set! The most exhaustive work in the field, the completely
revised 5th edition of 'Contemporary Artists' provides detailed personal and
professional information on 850 artists -- both established masters and emerging
figures on the international scene. Modern painters, sculptors and graphic and
performance artists are included. Illustrated with approximately 600
black-and-white photographs of the artists and their works.The artists included
in this edition are: Magdalena Abakanowicz Marina Abramovic Vito Acconci Valerio
(Romani) Adami Dennis Adams Nicholas Africano Yaacov Agam Vincenzo Agnetti Doug
Aitken Pierre Alechinsky Rene Pierre Allain Terry Allen Laurie Anderson Carl
Andre Giovanni Anselmo Horst Antes Eleanor Antin Stephen Antonakos Richard
(Joseph) Anuszkiewicz Siegfried Anzinger, Reference ; Art & Art Instruction ;
History - Modern (Late 19th Century to 1945), Contemporary Artists
Lion.cc – das Partnerprogramm mit Brüllerpreisen
Gegen Kandinsky, Zur Ausstellung Im Museum Villa Stuck, München, 2006/2007.
Dtsch.-Engl.:
Against Kandinsky examines the schism between Expressionism and Geometric
Abstraction--the two canons which have competed for stylistic and theoretical
supremacy in Modernist history. Within this historical context, Wassily
Kandinsky occupies a unique position as both the originator of Expressionistic
painting and a tireless defender of the intuitive mode of abstraction. Against
Kandinsky consists of four sections, each presenting a case for a certain
resistance against the styles and ideas that Kandinsky represented. It looks at
the history of twentieth-century abstraction from a broadened perspective of
cultural and social history that emphasizes the parallels between European and
American art, with work by Carl Andre, Eric Bulatov, Willem de Kooning, Donald
Judd, Sol LeWitt, Hannes Meyer, Lucia Moholy, Walter Peterhans, Liubov Popova,
Aleksandr Rodchenko and Frank Stella.
, Malerei (Kunst) ; Kandinsky, Wassily ; Abstrakte Kunst ; München; Museen ;
Villa Stuck (München), Gegen Kandinsky
Lion.cc – das Partnerprogramm mit Brüllerpreisen
Hymnal:
Again from Tokyo, WIZARDS’ HYMN is a female fronted power metal act that brings
a fresh feel to the genre. Guitarist Tsutomu Aruga is a young man with an
extremely bright future – the precision and flair in his playing is little shor
t of astounding – and vocalist Kimiko Shirao’s angelic tone floats ethereally
above the maelstrom created by Aruga and the powerful rhythm section of bassist
Toshimasa Kato and drummer Kensuke Imai. Compositionally, WIZARDS’ HYMN show a
maturity well in advance of their tender years.
True to say that there’s nothing here you won’t have heard before…but I doubt
you will ever have heard it quite like this! Housed in superb artwork courtesy
of European artist supreme Carl-Andre Beckston, this is definitely one for the
discerning power metal enthusiasts., Hymnal
Buy.com USA and Buy.com CA
Minimal Art:
Founded as a backlash against abstract expressionism, minimalism was
characterized by simplified, stripped-down forms and materials used to express
ideas in a direct and impersonal manner. By presenting objects as simple
objects, minimal artists sought to communicate without referring to expressive
or historical themes. This critical movement, which began in the 1960s and
branched out into land art, performance art, and conceptual art, is still a
major influence today. Featured artists: Carl Andre, Stephen Antonakos, Jo Baer,
Larry Bell, Ronald Bladen, Walter De Maria, Dan Flavin, Robert Grosvenor, Eva
Hesse, Donald Judd, Gary Kuehn, Sol LeWitt, Robert Mangold, John McCracken,
Robert Morris, Robert Ryman, Fred Sandback, Richard Serra, Tony Smith, Robert
Smithson, Anne Truitt
Buy.com USA and Buy.com CA
Against Kandinsky:
Against Kandinsky examines the schism between Expressionism and Geometric
Abstraction--the two canons which have competed for stylistic and theoretical
supremacy in Modernist history. Within this historical context, Wassily
Kandinsky occupies a unique position as both the originator of Expressionistic
painting and a tireless defender of the intuitive mode of abstraction. Against
Kandinsky consists of four sections, each presenting a case for a certain
resistance against the styles and ideas that Kandinsky represented. It looks at
the history of twentieth-century abstraction from a broadened perspective of
cultural and social history that emphasizes the parallels between European and
American art, with work by Carl Andre, Eric Bulatov, Willem de Kooning, Donald
Judd, Sol LeWitt, Hannes Meyer, Lucia Moholy, Walter Peterhans, Liubov Popova,
Aleksandr Rodchenko and Frank Stella.
Buecher.de
Serielle Verfahren:
Wie sind die minimalistischen Kuben von Donald Judd oder die Bodenobjekte von
Carl Andre zu verstehen? Sind sie nichts als der Ausdruck für die Suche nach
Präsenz und reiner Essenz, wie die Kunstkritik bisher behauptet?
Die Autorin untersucht in diesem Buch das Prinzip Serie unter vielfältigen
Gesichtspunkten: Sie beschreibt das Seriale als tec hnisches, als konzeptuelles
und als methodisches Verfahren. Durch die Konstellation verschiedener serieller
Arbeiten werden Übergänge zwischen den Kunstrichtungen deutlich, ohne die
Unterschiede zwischen den Werken aufzulösen. So kann der Leser neue Sichtweisen
gewinnen, die über eine bloße historische Einordnung der Kunstwerke hinausgehen.
(2003. 219 S. m. 70 SW- u. 10 Farbabb.)
Lion.cc – das Partnerprogramm mit Brüllerpreisen
Faster! Bigger! Better!, Dokumentation zur Neupräsentation des
ZKM-Sammlermuseums:
Dokumentation zur Neupräsentation des ZKM-Sammlermuseums, das Werke aus
folgenden Sammlungen vereint: FER, Froehlich, Grässlin, Weishaupt und Boros und
seit kurzem die Sammlungen der Landesbank Baden-Württemberg, Stuttgart, der
Thyssen Bornemisza Art Contemporary, Wien, sowie der VAF-Stiftung, Frankfurt am
Main/ MART, Rovereto.
Die Zusammenstellung von rund 190 herausragenden Signet Werken bildet eine
Spiegelung der Kunstgeschichte der letzten 50 Jahre.
Von den zahlreichen Künstlern seien nur einigen genannt: Franz Ackermann, Joseph
Albers, Carl Andre, John M Armleder, Robert Barry, Georg Baselitz, Joseph Beuys,
Alberto Biasi, John Bock, Agostino Bonalumi, Davide Boriani, Martin Boyce,
Thomas Demand, Chiara Dynys, Olafur Eliasson, Agenore Fabbri, Sylvie Fleury,
Piero Fogliati, Lucio Fontana, Günther Förg, Dominique Gonzalez-Foerster,
Gotthard Graubner, Andreas Gursky, Keith Haring, Georg Herold, Candida Höfer,
Axel Hütte, Sergej Jensen, On Kawara, Mike Kelley, Ma, Ausstellungskataloge;
Kunst ; Gegenwartskunst; Ausstellungskataloge ; Karlsruhe; Museen ; Zentrum für
Kunst und Medientechnologie, Karlsruhe, Faster! Bigger! Better!
Lion.cc – das Partnerprogramm mit Brüllerpreisen
Faster! Bigger! Better!, Dokumentation zur Neupräsentation des
ZKM-Sammlermuseums:
Dokumentation zur Neupräsentation des ZKM-Sammlermuseums, das Werke aus
folgenden Sammlungen vereint: FER, Froehlich, Grässlin, Weishaupt und Boros und
seit kurzem die Sammlungen der Landesbank Baden-Württemberg, Stuttgart, der
Thyssen Bornemisza Art Contemporary, Wien, sowie der VAF-Stiftung, Frankfurt am
Main/ MART, Rovereto.
Die Zusammenstellung von rund 190 herausragenden Signet Werken bildet eine
Spiegelung der Kunstgeschichte der letzten 50 Jahre.
Von den zahlreichen Künstlern seien nur einigen genannt: Franz Ackermann, Joseph
Albers, Carl Andre, John M Armleder, Robert Barry, Georg Baselitz, Joseph Beuys,
Alberto Biasi, John Bock, Agostino Bonalumi, Davide Boriani, Martin Boyce,
Thomas Demand, Chiara Dynys, Olafur Eliasson, Agenore Fabbri, Sylvie Fleury,
Piero Fogliati, Lucio Fontana, Günther Förg, Dominique Gonzalez-Foerster,
Gotthard Graubner, Andreas Gursky, Keith Haring, Georg Herold, Candida Höfer,
Axel Hütte, Sergej Jensen, On Kawara, Mike Kelley, Ma, Ausstellungskataloge;
Kunst ; Gegenwartskunst; Ausstellungskataloge ; Karlsruhe; Museen ; Zentrum für
Kunst und Medientechnologie, Karlsruhe, Faster! Bigger! Better!
Lion.cc – das Partnerprogramm mit Brüllerpreisen
Fast Nichts, Minimalistische Werke aus der Friedrich Christian Flick Collection
im Hamburger Bahnhof. Katalog zur Ausstellung im Hamburger Bahnhof, Berlin, 200:
Um minimale Tendenzen in skulpturalen und konzeptuellen Arbeiten, in Malerei und
Installation, Video, Film und Fotografie in der Kunst seit 1960 geht es in
diesem Band. Die hier vorgestellten Werke und Position verbindet eine Ästhetik
der Einfachheit und Strenge, der Reduktion und Stille. Sie führen vor, inwiefern
die Beschränkung auf eine Grundform, auf ein Konzept oder auf ein Bild, in dem
'fast nichts' passiert, eine Fülle von Erfahrungen und Einsichten bieten kann.
Der Textbeitrag von Susan Sontag erscheint hier erstmals in deutscher Sprache.
Zahlreiche Texte von Autoren seit der Antike zum Thema 'Fast nichts' begleiten
die eindrucksvollen Bildstrecken. Künstler: Absalon, Josef Albers, Carl Andre,
Robert Barry, Marianne Brandt, George Brecht, John Cage, David Claerbout, Hans
Finsler, Dan Flavin, Hans Haacke, Hilde Hubbuch, On Kawara, Toba Khedoori,
Joseph Kosuth, Sol LeWitt, John McCracken, László Moholy-Nagy, Robert Morris,
Bruce Nauman, Blinky Palermo, Albert Renger-Patzsch, Jer, Flick-Collection ;
Berlin; Museen ; Ausstellungskataloge; Kunst ; Hamburger Bahnhof, Berlin ;
Minimalismus, Fast Nichts
bol.de - Das einfach runde Partnerprogramm
Fast Nichts, Minimalistische Werke aus der Friedrich Christian Flick Collection
im Hamburger Bahnhof. Katalog zur Ausstellung im Hamburger Bahnhof, Berlin, 200:
Um minimale Tendenzen in skulpturalen und konzeptuellen Arbeiten, in Malerei und
Installation, Video, Film und Fotografie in der Kunst seit 1960 geht es in
diesem Band. Die hier vorgestellten Werke und Position verbindet eine Ästhetik
der Einfachheit und Strenge, der Reduktion und Stille. Sie führen vor, inwiefern
die Beschränkung auf eine Grundform, auf ein Konzept oder auf ein Bild, in dem
'fast nichts' passiert, eine Fülle von Erfahrungen und Einsichten bieten kann.
Der Textbeitrag von Susan Sontag erscheint hier erstmals in deutscher Sprache.
Zahlreiche Texte von Autoren seit der Antike zum Thema 'Fast nichts' begleiten
die eindrucksvollen Bildstrecken. Künstler: Absalon, Josef Albers, Carl Andre,
Robert Barry, Marianne Brandt, George Brecht, John Cage, David Claerbout, Hans
Finsler, Dan Flavin, Hans Haacke, Hilde Hubbuch, On Kawara, Toba Khedoori,
Joseph Kosuth, Sol LeWitt, John McCracken, László Moholy-Nagy, Robert Morris,
Bruce Nauman, Blinky Palermo, Albert Renger-Patzsch, Jer, Flick-Collection ;
Berlin; Museen ; Ausstellungskataloge; Kunst ; Hamburger Bahnhof, Berlin ;
Minimalismus, Fast Nichts
Lion.cc – das Partnerprogramm mit Brüllerpreisen
Fast Nichts, Minimalistische Werke aus der Friedrich Christian Flick Collection
im Hamburger Bahnhof. Katalog zur Ausstellung im Hamburger Bahnhof, Berlin, 200:
Um minimale Tendenzen in skulpturalen und konzeptuellen Arbeiten, in Malerei und
Installation, Video, Film und Fotografie in der Kunst seit 1960 geht es in
diesem Band. Die hier vorgestellten Werke und Position verbindet eine Ästhetik
der Einfachheit und Strenge, der Reduktion und Stille. Sie führen vor, inwiefern
die Beschränkung auf eine Grundform, auf ein Konzept oder auf ein Bild, in dem
'fast nichts' passiert, eine Fülle von Erfahrungen und Einsichten bieten kann.
Der Textbeitrag von Susan Sontag erscheint hier erstmals in deutscher Sprache.
Zahlreiche Texte von Autoren seit der Antike zum Thema 'Fast nichts' begleiten
die eindrucksvollen Bildstrecken. Künstler: Absalon, Josef Albers, Carl Andre,
Robert Barry, Marianne Brandt, George Brecht, John Cage, David Claerbout, Hans
Finsler, Dan Flavin, Hans Haacke, Hilde Hubbuch, On Kawara, Toba Khedoori,
Joseph Kosuth, Sol LeWitt, John McCracken, László Moholy-Nagy, Robert Morris,
Bruce Nauman, Blinky Palermo, Albert Renger-Patzsch, Jer, Flick-Collection ;
Berlin; Museen ; Ausstellungskataloge; Kunst ; Hamburger Bahnhof, Berlin ;
Minimalismus, Fast Nichts
Buy.com USA and Buy.com CA
Drawing from the Modern:
Visual art in the period following World War II witnessed enormous
transformations. In an unexpected way, drawing provides a powerful and vigorous
device for reexamining the art of the period--for renewing appreciation of the
extraordinary achievements of well-known artists and for discovering others.
Drawing is among the most traditional of mediums, but despite the radical
departures and shifts in the art of these years, it played a crucial role in the
work of the great majority of the most significant artists. Drawing from the
Modern, Part 2, surveys the drawing of the period through the unparalleled
holdings of the drawings collection of The Museum of Modern Art. The postwar
period saw the development of Abstract Expressionism in New York, followed by
Pop art, Minimal art, and Conceptual art, and the Museum's collection has
exceptional strength in these areas. Abstract drawings by Jackson Pollock,
Willem de Kooning, and Barnett Newman open this volume, followed by works of
such key figures of the next generation as Jasper Johns, Ellsworth Kelly, Robert
Rauschenberg, and Cy Twombly. Next, drawings by Roy Lichtenstein, Claes
Oldenburg, and Andy Warhol signal the arrival of a new figurative art, Pop art,
on the forefront. But reductive and abstract art kept pace, and the Museum's
collection offers a breathtaking array of drawings by Carl Andre, Dan Flavin,
Eva Hesse, Sol LeWitt, Brice Marden, Agnes Martin, Richard Serra, and many
others.
Buy.com USA and Buy.com CA
Donald Judd: Architecture:
One of the leading representatives of Minimalism, Donald Judd's specific
objects, made of steel, wood, aluminum, and Plexiglass, undertook a radical and
revolutionary analysis and redefinition of sculpture as it exists in space.
Somewhat less familiar are Judd's numerous architectural and furniture designs,
works which are closely related in formal terms to his ubiquitous art objects
but which much more successfully reflect his concerns with utility. To best
understand this aspect of Judd's work, a visit to Marfa, Texas is in order. In
1971, Judd bought an old fort near this small town; by systematically acquiring
and transforming more and more local property, he amassed the largest ensemble
of contemporary art in the world, with permanent installations of his own work
and that of Carl Andre, John Chamberlan, Dan Flavin, and others. Donald Judd:
Architecture presents drawings, design sketches, ground plans, and photographs
of the grounds and architecture of this Minimalist desert oasis and bears
witness to Judd's role as the visionary architect and stage director of his own
oeuvre. This book first appeared in 1991, in German. It has been thoroughly
revised and expanded for this, its first English edition.
Buecher.de
Minimal Art:
Die Minimal Art entstand in den 60er Jahren als Gegenrichtung zu Pop Art und
abstraktem Expressionismus. Anhand zahlreicher Beispiele der wichtigsten
Kunstwerke wird, wie auch in den vorangegangenen Titeln der Basic Art-Epochen-Reihe,
diese Kunstbewegung vor dem derzeitigen geschichtlichen, kulturellen und
politischen Hintergrund vorgestellt.
Die Minimal Künstler wie Donald Judd, Sol Lewitt und andere verstanden ihre
Kunstwerke in erster Linie als Objekte, ohne tieferes, erzählendes Innenleben.
Den Minimalisten ging es um die absolute Identität der Form mit sich selbst,
ohne jedes illusionistische, assoziative Beiwerk. Die geometrischen
Elementarformen und die kühnen Materialien setzen sich bewusst von der Werkform
der alten Malerei und Skulptur ab. Die Objektkunst besteht aus Oberfläche und
Volumen, sie erscheint lediglich als das, was sie ist, täuscht kein Innenleben,
keine Seele vor. Typische Gestaltungsmittel sind reine geometrische Formen
(Primary Structures; z. B. Kuben), klare Linien, Farben und Materialien.
Maschinell angefertigte Objekte beeinflussen allein durch ihre Form und
Materialität die Wirkung ihrer Umgebung. Prägend für die Minimal Art waren die
Arbeiten von Mark Rothko und Barnett Newman.
Als Hauptvertreter der Minimalart gelten Dan Flavin, Donald Judd, Sol Le Witt,
Robert Morris und Carl Andre. (2004. 94 S. m. zahlr. meist farb. Abb.)
|
<Navigation> |
|
<Related Areas> |
|
<Main Menu> |
|
|
