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Maskenspiel 1932 by Jean Arp art print poster with Free Delivery:
Jean Arp art print Poster size 84cm x 103cm
poster.de - Neue Bilder braucht die Wand

Jean Arp - Configuration:
Kunstdruck, Stilrichtung - Dadaismus, Groesse (cm): 73 x 58,versandfertig: 24
Stunden - im poster.de Rahmenstudio finden Sie die passende Rahmung.
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Jean Arp - Konfiguration:
Kunstdruck, Groesse (cm): 60 x 48,versandfertig: 3-5 Tage - im poster.de
Rahmenstudio finden Sie die passende Rahmung.
ARTinaClick

"Maskenspiel, 1932 by Jean Arp":
"Framed Size: 39.65in. x 32.25in. Frame Description: 2in. Classic scoop profile
in matte black with beaded lip - Keywords: Irregular Forms, shapes, art, prints,
posters"
ARTinaClick

Configuration by Jean Arp:
"Framed Size: 27in. x 33.25in. Frame Description: 2.25in. Glossy black finish -
Keywords: Color, colors, shapes, art, prints, posters"
ARTinaClick

Configuration by Jean Arp:
"Framed Size: 27in. x 33.25in. Frame Description: 2.25in. Glossy black finish -
Keywords: Color, colors, shapes, art, prints, posters"
ARTinaClick

"Maskenspiel, 1932 by Jean Arp":
"Framed Size: 39.65in. x 32.25in. Frame Description: 2in. Classic scoop profile
in matte black with beaded lip - Keywords: Irregular Forms, shapes, art, prints,
posters"
poster.de - Neue Bilder braucht die Wand

Jean Arp - Maskenspiel 1932 - Serigraph:
Kunstdruck, Groesse (cm): 84 x 103,versandfertig: 5-7 Tage - im poster.de
Rahmenstudio finden Sie die passende Rahmung.
poster.de - Neue Bilder braucht die Wand

Jean Arp - Expo Galerie Maeght:
Grafik, Original Poster, Originalposter, 1949, Limitierter Artikel: nicht
signiert und nicht nummeriert, Groesse (cm): 64 x 47, versandfertig: 5-7 Tage
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Art print poster - Configuration by Jean Arp:
Modern - European art print poster (62 x 48 cm)
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Art print poster - Maskenspiel, 1932 (Silkscreen print) by Jean Arp:
Early Modern art print poster (84 x 103 cm)
Direct For Sale

Art Poster Print - Configuration - Artist: Jean Arp - Poster Size: 22.5 X 28.5
inches:
High quality art poster. DirectForSale sells over 300,000 different art
posters.Browse our store and shop for all your Art posters with DirectForSale.
This Configuration Poster is made with High Quality Poster paper and is made for
years of enjoyment. Primary poster color= apricot** Secondary poster color=
Wedgewood Blue. Note: This item is not available for express shipping.
Indigo Books & Music

Arp:
Hans, or Jean, Arp (1886-1966) is internationally renowned as one of the
foremost sculptors and visual artists of the twentieth century...
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Surreal People:
The web of friendships within the Surrealist circle was a key source of
inspiration for this close group of artists and writers, and many of their
greatest works stem from a collaborative approach to the creative process.
'Surreal People' is a fascinating look at fifteen relationships between the main
participants of Surrealism, among them Man Ray and Lee Miller, Jean Arp and
Alberto Giacometti, Max Ernst and Joan Mir. This unprecedented look at these
personal relationships reveals the often hidden iconography in many Surrealist
artworks, from sketchy cadavre exquis (exquisite corpse) drawings to complete
ballet productions.
, History - Surrealism & Dadaism, Surreal People
Lion.cc – das Partnerprogramm mit Brüllerpreisen

Surreal People:
The web of friendships within the Surrealist circle was a key source of
inspiration for this close group of artists and writers, and many of their
greatest works stem from a collaborative approach to the creative process.
'Surreal People' is a fascinating look at fifteen relationships between the main
participants of Surrealism, among them Man Ray and Lee Miller, Jean Arp and
Alberto Giacometti, Max Ernst and Joan Mir. This unprecedented look at these
personal relationships reveals the often hidden iconography in many Surrealist
artworks, from sketchy cadavre exquis (exquisite corpse) drawings to complete
ballet productions.
, History - Surrealism & Dadaism, Surreal People
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Surreal People:
The web of friendships within the Surrealist circle was a key source of
inspiration for this close group of artists and writers, and many of their
greatest works stem from a collaborative approach to the creative process.
Surreal People is a fascinating look at fifteen relationships between the main
participants of Surrealism, among them Man Ray and Lee Miller, Jean Arp and
Alberto Giacometti, Max Ernst and Joan Mir. This unprecedented look at these
personal relationships reveals the often hidden iconography in many Surrealist
artworks, from sketchy cadavre exquis (exquisite corpse) drawings to complete
ballet productions.
Lion.cc – das Partnerprogramm mit Brüllerpreisen

The Dada Painters and Poets: An Anthology, Second Edition:
'The Dada Painters and Poets' offers the authentic answer to the question 'What
is Dada?' This incomparable collection of essays, manifestos, and illustrations
was prepared by Robert Motherwell with the collaboration of some of the major
Dada figures: Marcel Duchamp, Jean Arp, and Max Ernst among others. Here in
their own words and art, the principals of the movement create a composite
picture of Dada--its convictions, antics, and spirit. First published in 1951,
this treasure trove remains, as Jack Flam states in his foreword to the second
edition, 'the most comprehensive and important anthology of Dada writings in any
language, and a fascinating and very readable book.' It contains every major
text on the Dada movement, including retrospective studies, personal memoirs,
and prime examples. The illustrations range from photos of participants, in
characteristic Dadaist attitudes, to facsimiles of their productions. , Art &
Art Instruction ; Criticism ; Commercial - General ; History - Surrealism &
Dadaism, The Dada Painters and Poets: An Anthology, Second Edition
Lion.cc – das Partnerprogramm mit Brüllerpreisen

The Dada Painters and Poets: An Anthology, Second Edition:
'The Dada Painters and Poets' offers the authentic answer to the question 'What
is Dada?' This incomparable collection of essays, manifestos, and illustrations
was prepared by Robert Motherwell with the collaboration of some of the major
Dada figures: Marcel Duchamp, Jean Arp, and Max Ernst among others. Here in
their own words and art, the principals of the movement create a composite
picture of Dada--its convictions, antics, and spirit. First published in 1951,
this treasure trove remains, as Jack Flam states in his foreword to the second
edition, 'the most comprehensive and important anthology of Dada writings in any
language, and a fascinating and very readable book.' It contains every major
text on the Dada movement, including retrospective studies, personal memoirs,
and prime examples. The illustrations range from photos of participants, in
characteristic Dadaist attitudes, to facsimiles of their productions. , Art &
Art Instruction ; Criticism ; Commercial - General ; History - Surrealism &
Dadaism, The Dada Painters and Poets: An Anthology, Second Edition
bol.de - Das einfach runde Partnerprogramm

The Dada Painters and Poets: An Anthology, Second Edition:
'The Dada Painters and Poets' offers the authentic answer to the question 'What
is Dada?' This incomparable collection of essays, manifestos, and illustrations
was prepared by Robert Motherwell with the collaboration of some of the major
Dada figures: Marcel Duchamp, Jean Arp, and Max Ernst among others. Here in
their own words and art, the principals of the movement create a composite
picture of Dada--its convictions, antics, and spirit. First published in 1951,
this treasure trove remains, as Jack Flam states in his foreword to the second
edition, 'the most comprehensive and important anthology of Dada writings in any
language, and a fascinating and very readable book.' It contains every major
text on the Dada movement, including retrospective studies, personal memoirs,
and prime examples. The illustrations range from photos of participants, in
characteristic Dadaist attitudes, to facsimiles of their productions. , Art &
Art Instruction ; Criticism ; Commercial - General ; History - Surrealism &
Dadaism, The Dada Painters and Poets: An Anthology, Second Edition
Buy.com USA and Buy.com CA

The Dada Painters and Poets: An Anthology:
The Dada Painters and Poets offers the authentic answer to the question What is
Dada? This incomparable collection of essays, manifestos, and illustrations was
prepared by Robert Motherwell with the collaboration of some of the major Dada
figures: Marcel Duchamp, Jean Arp, and Max Ernst among others. Here in their own
words and art, the principals of the movement create a composite picture of
Dada--its convictions, antics, and spirit. First published in 1951, this
treasure trove remains, as Jack Flam states in his foreword to the second
edition, the most comprehensive and important anthology of Dada writings in any
language, and a fascinating and very readable book. It contains every major text
on the Dada movement, including retrospective studies, personal memoirs, and
prime examples. The illustrations range from photos of participants, in
characteristic Dadaist attitudes, to facsimiles of their productions.
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Dadaism (Taschen Basic Art S.) (New ed) - Eiger, Dietmar:
ISBN: 3822829463 Published: Oct 2004 Format: Paperback Pages: 96 Each book in
Taschen's Basic Art movement and genre series includes a detailed Introduction
with approximately 30 photographs, plus a timeline of the most important events
(political, cultural, scientific, sporting, etc.) that took place during the
time period. The body of the book contains 35 of the most important works of the
epoch; each is presented on a 2-page spread with a full page Image and, on the
facing page, a description/interpretation of the work, portrait of the artist,
and biographical information. A precursor to surrealism, the Dada movement
stressed the absurd and unpredictable, lashing out against traditional standards
of aesthetics. Jean Arp, Marcel Duchamp, and Man Ray were among the most famous
proponents of Dada, creating works that dared viewers to expand their notions of
what can be considered art.
Shop.com - UK

Dadaism (Taschen Basic Art S.) (New ed) - Eiger, Dietmar:
ISBN: 3822829463 Published: Oct 2004 Format: Paperback Pages: 96 Each book in
Taschen's Basic Art movement and genre series includes a detailed Introduction
with approximately 30 photographs, plus a timeline of the most important events
(political, cultural, scientific, sporting, etc.) that took place during the
time period. The body of the book contains 35 of the most important works of the
epoch; each is presented on a 2-page spread with a full page Image and, on the
facing page, a description/interpretation of the work, portrait of the artist,
and biographical information. A precursor to surrealism, the Dada movement
stressed the absurd and unpredictable, lashing out against traditional standards
of aesthetics. Jean Arp, Marcel Duchamp, and Man Ray were among the most famous
proponents of Dada, creating works that dared viewers to expand their notions of
what can be considered art.
Lion.cc – das Partnerprogramm mit Brüllerpreisen

In the Middle of the Night, 150 Neuerwerbungen seit 1996. Katalog zur
Ausstellung in der Kunsthalle Bielefeld, 2005:
IN THE MIDDLE OF THE NIGHT 150 Neuerwerbungen seit 1996 Seit 1996 bilanziert die
Kunsthalle Bielefeld 150 Neuerwerbungen, von Pablo Picasso zu Hiroshi Sugimoto,
von Edvard Munch zu Jonathan Meese.
Die erworbenen Arbeiten, darunter mehr als zwanzig Skulpturen, mehr als dreißig
Gemälde und circa vierzig Fotografien, wurden bisher nur wenig oder noch nie
gezeigt.
Das umfangreiche Werkverzeichnis aller Erwerbungen, Kunstgeschenke und
Dauerleihgaben präsentiert diese Werke nun der Öffentlichkeit und stellt damit
das engagierte bürgerliche Selbstverständnis und den heutigen Sammlungsauftrag
des ehemals städtischen Museums zur Diskussion.
Künstler Diane Arbus, Jean Arp, Vanessa Beecroft, Louise Bourgeois, George
Condo, Olafur Eliasson, Max Ernst, Lyonel Feininger, Peter Fischli/David Weiss,
Adam Fuss, Carl Hofer, Ernst-Ludwig Kirchner, Frantisek Kupka, Robert Longo,
Jonathan Meese, Georg Muche, Matthias Müller, Edvard Munch, Emil Nolde, Pablo
Picasso, Man Ray,, Künstler ; Ausstellungskatalog / Kunst (allgemein) ;
Ausstellungskataloge; Kunst ; Bielefeld; Museen ; Kunsthalle Bielefeld, In the
Middle of the Night
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Wald der Skulpturen. Sammlung Simon Spierer, Katalog zur Ausstellung im
Hessischen Landesmuseum Darmstadt, 2004. Dtsch.-Französ.:
Die weltweit einzigartige Skulpturensammlung des Genfer Kunstsammlers Simon
Spierer umfasst 40 Werke von der frühen Moderne bis in die Gegenwart. Sein 'Wald
der Skulpturen', den Spierer in den vergangenen Jahrzehnten zusammengetragen
hat, umfasst Arbeiten der herausragendsten internationalen Bildhauer des 20.
Jahrhunderts wie Constantin Brancusi, Alberto Giacometti, Hans (Jean) Arp, Max
Ernst, Henry Moore, Lucio Fontana, Louise Bourgeois, Barbara Hepworth, Germaine
Richier, Max Bill, Julio González, Isamu Noguchi, Daniel Spoerri und Tony Cragg.
Formal und motivisch konzentriert sich die Sammlung auf die Stele und den Torso,
unter ihnen 'Ikonen' der Kunstgeschichte wie González' Daphné von 1937,
Brancusis Vogel im Raum von 1941, Arps Idole von 1950 oder Giacomettis Petit
buste de Diego sur colonne von 1952.
Die Monografie stellt die Kostbarkeiten dieser bedeutenden Kollektion vor, die
der Sammler Anfang 2005 dem Hessischen Landesmuseum Darmstadt stiftete.,
sculpture ; sammeln - Sammlerkultur ( Sammlung ) ; Bildhauer ; Skulptur ;
Sammlerkultur ( Sammlung - sammeln ), Wald der Skulpturen. Sammlung Simon
Spierer
Lion.cc – das Partnerprogramm mit Brüllerpreisen

In the Middle of the Night, 150 Neuerwerbungen seit 1996. Katalog zur
Ausstellung in der Kunsthalle Bielefeld, 2005:
IN THE MIDDLE OF THE NIGHT 150 Neuerwerbungen seit 1996 Seit 1996 bilanziert die
Kunsthalle Bielefeld 150 Neuerwerbungen, von Pablo Picasso zu Hiroshi Sugimoto,
von Edvard Munch zu Jonathan Meese.
Die erworbenen Arbeiten, darunter mehr als zwanzig Skulpturen, mehr als dreißig
Gemälde und circa vierzig Fotografien, wurden bisher nur wenig oder noch nie
gezeigt.
Das umfangreiche Werkverzeichnis aller Erwerbungen, Kunstgeschenke und
Dauerleihgaben präsentiert diese Werke nun der Öffentlichkeit und stellt damit
das engagierte bürgerliche Selbstverständnis und den heutigen Sammlungsauftrag
des ehemals städtischen Museums zur Diskussion.
Künstler Diane Arbus, Jean Arp, Vanessa Beecroft, Louise Bourgeois, George
Condo, Olafur Eliasson, Max Ernst, Lyonel Feininger, Peter Fischli/David Weiss,
Adam Fuss, Carl Hofer, Ernst-Ludwig Kirchner, Frantisek Kupka, Robert Longo,
Jonathan Meese, Georg Muche, Matthias Müller, Edvard Munch, Emil Nolde, Pablo
Picasso, Man Ray,, Künstler ; Ausstellungskatalog / Kunst (allgemein) ;
Ausstellungskataloge; Kunst ; Bielefeld; Museen ; Kunsthalle Bielefeld, In the
Middle of the Night
Lion.cc – das Partnerprogramm mit Brüllerpreisen

Wald der Skulpturen. Sammlung Simon Spierer, Katalog zur Ausstellung im
Hessischen Landesmuseum Darmstadt, 2004. Dtsch.-Französ.:
Die weltweit einzigartige Skulpturensammlung des Genfer Kunstsammlers Simon
Spierer umfasst 40 Werke von der frühen Moderne bis in die Gegenwart. Sein 'Wald
der Skulpturen', den Spierer in den vergangenen Jahrzehnten zusammengetragen
hat, umfasst Arbeiten der herausragendsten internationalen Bildhauer des 20.
Jahrhunderts wie Constantin Brancusi, Alberto Giacometti, Hans (Jean) Arp, Max
Ernst, Henry Moore, Lucio Fontana, Louise Bourgeois, Barbara Hepworth, Germaine
Richier, Max Bill, Julio González, Isamu Noguchi, Daniel Spoerri und Tony Cragg.
Formal und motivisch konzentriert sich die Sammlung auf die Stele und den Torso,
unter ihnen 'Ikonen' der Kunstgeschichte wie González' Daphné von 1937,
Brancusis Vogel im Raum von 1941, Arps Idole von 1950 oder Giacomettis Petit
buste de Diego sur colonne von 1952.
Die Monografie stellt die Kostbarkeiten dieser bedeutenden Kollektion vor, die
der Sammler Anfang 2005 dem Hessischen Landesmuseum Darmstadt stiftete.,
sculpture ; sammeln - Sammlerkultur ( Sammlung ) ; Bildhauer ; Skulptur ;
Sammlerkultur ( Sammlung - sammeln ), Wald der Skulpturen. Sammlung Simon
Spierer
bol.de - Das einfach runde Partnerprogramm

Wald der Skulpturen. Sammlung Simon Spierer, Katalog zur Ausstellung im
Hessischen Landesmuseum Darmstadt, 2004. Dtsch.-Französ.:
Die weltweit einzigartige Skulpturensammlung des Genfer Kunstsammlers Simon
Spierer umfasst 40 Werke von der frühen Moderne bis in die Gegenwart. Sein »Wald
der Skulpturen«, den Spierer in den vergangenen Jahrzehnten zusammengetragen
hat, umfasst Arbeiten der herausragendsten internationalen Bildhauer des 20.
Jahrhunderts wie Constantin Brancusi, Alberto Giacometti, Hans (Jean) Arp, Max
Ernst, Henry Moore, Lucio Fontana, Louise Bourgeois, Barbara Hepworth, Germaine
Richier, Max Bill, Julio González, Isamu Noguchi, Daniel Spoerri und Tony Cragg.
Formal und motivisch konzentriert sich die Sammlung auf die Stele und den Torso,
unter ihnen 'Ikonen' der Kunstgeschichte wie González' Daphné von 1937,
Brancusis Vogel im Raum von 1941, Arps Idole von 1950 oder Giacomettis Petit
buste de Diego sur colonne von 1952. Die Monografie stellt die Kostbarkeiten
dieser bedeutenden Kollektion vor, die der Sammler Anfang 2005 dem Hessischen
Landesmuseum Darmstadt stiftete., sculpture ; sammeln - Sammlerkultur ( Sammlung
) ; Bildhauer ; Skulptur ; Sammlerkultur ( Sammlung - sammeln ), Wald der
Skulpturen. Sammlung Simon Spierer
bol.de - Das einfach runde Partnerprogramm

In the Middle of the Night, 150 Neuerwerbungen seit 1996. Katalog zur
Ausstellung in der Kunsthalle Bielefeld, 2005:
IN THE MIDDLE OF THE NIGHT 150 Neuerwerbungen seit 1996 Seit 1996 bilanziert die
Kunsthalle Bielefeld 150 Neuerwerbungen, von Pablo Picasso zu Hiroshi Sugimoto,
von Edvard Munch zu Jonathan Meese. Die erworbenen Arbeiten, darunter mehr als
zwanzig Skulpturen, mehr als dreißig Gemälde und circa vierzig Fotografien,
wurden bisher nur wenig oder noch nie gezeigt. Das umfangreiche Werkverzeichnis
aller Erwerbungen, Kunstgeschenke und Dauerleihgaben präsentiert diese Werke nun
der Öffentlichkeit und stellt damit das engagierte bürgerliche Selbstverständnis
und den heutigen Sammlungsauftrag des ehemals städtischen Museums zur Diskussion.
Künstler Diane Arbus, Jean Arp, Vanessa Beecroft, Louise Bourgeois, George
Condo, Olafur Eliasson, Max Ernst, Lyonel Feininger, Peter Fischli/David Weiss,
Adam Fuss, Carl Hofer, Ernst-Ludwig Kirchner, Frantisek Kupka, Robert Longo,
Jonathan Meese, Georg Muche, Matthias Müller, Edvard Munch, Emil Nolde, Pablo
Picasso, Man Ray, Christia, Künstler ; Ausstellungskatalog / Kunst (allgemein) ;
Ausstellungskataloge; Kunst ; Bielefeld; Museen ; Kunsthalle Bielefeld, In the
Middle of the Night
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Drawing from the Modern: Volume I: 1880-1940:
Many of the key achievements in art of the last 125 years have been worked out
on paper. From pictorial investigations that expanded the possibilities of
vision to the invention of entirely new kinds of media, drawing has been the
perfect laboratory for avant-garde experimentation. Drawing from the Modern
traces such groundbreaking innovation through the unparalleled holdings of the
drawings collection of The Museum of Modern Art. Drawing has historically been
understood as a mark or line on paper--the record of a bodily gesture, an
inscription of the action of the hand, an expression of the mind. Since the
1880s, however, artists have sought to interrupt these seemingly unbreakable
links between mark, hand, and imagination. Defying long-held definitions of
drawing and rejecting traditional materials, modern artists invented a host of
practices, altering not only the field of drawing but artmaking in general.
Examining masterworks from the Museum's collection of nearly 7,000 works on
paper in three chronological volumes beginning in the 1880s and continuing
through today, Drawing from the Modern reconsider artists' repudiation of
traditional drafting methods, assault on the use of the single sheet of paper,
and introduction of new materials. Going to the heart of avant-garde innovation,
all three volumes showcase new formal strategies, including collage,
abstraction, chance, and the integration of text and image, as well as new
subject matter, including the urban experience, the body, and identity. Volume
I, presented here, spans the period from 1880 to 1940, and includes work by such
artists as Jean Arp, Hans Bellmer, Paul Cezanne, Arshile Gorky, Georgia
O'Keeffe, Odilon Redon, andKurt Schwitters. Volume II, available in Spring 2005,
will cover 1940 to 1975, and Volume III, available in Fall 2005, will bring us
from 1975 to the present day.
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Miro (Basic Art Album S.) (Hardback) - Mink, Janis:
ISBN: 3822859753 Published: May 2000 Format: Hardback Pages: 96 Joan Miro
(1893-1983) is one of the most significant Spanish painters of the 20th century.
His early work clearly shows the influence of Fauvism and Cubism. The Catalan
landscape also shapes the themes and treatment of these initial works. In his
travels, Miro encountered the intellectual avant-garde of his time. His friends
included Francis Picabia, Tristan Tzara, Andr Masson, Jean Arp and Pablo
Picasso. From the mid-twenties onward, Miro strove to leave direct objective
references behind and developed the pictograms that typify his style. The
pictures of this period, which include perhaps the most beautiful and
significant ones of his whole oeuvre, dispense with spatiality and an
unambiguous reference to objects. From now on, the surfaces are defined by
numerals, writing, abstract emblems, and playful figures and creatures.
Nineteen-forty-four saw the beginning of his extensive graphic oeuvre, ceramics,
monumental mural works, and sculptures. In these works, too, the Catalan artist
sought the solid foundation of a figurative, symbolic art with orientation as
regards content: faces, stars, moons, rudimentary animal forms, letters. Joan
Miro developed in several stages his characteristic flowing calligraphic style
and his world of forms resembling shorthand symbols. Brief Description: Joan
Miro (1893-1983) is one of the most significant Spanish painters of the 20th
century. This work depicts the evolution of his work - from the early influence
of Fauvism and Cubism to the later sculpture, murals and the development of his
characteristic flowing calligraphic style.
Shop.com - UK

Miro (Basic Art Album S.) (Hardback) - Mink, Janis:
ISBN: 3822859753 Published: May 2000 Format: Hardback Pages: 96 Joan Miro
(1893-1983) is one of the most significant Spanish painters of the 20th century.
His early work clearly shows the influence of Fauvism and Cubism. The Catalan
landscape also shapes the themes and treatment of these initial works. In his
travels, Miro encountered the intellectual avant-garde of his time. His friends
included Francis Picabia, Tristan Tzara, Andr Masson, Jean Arp and Pablo
Picasso. From the mid-twenties onward, Miro strove to leave direct objective
references behind and developed the pictograms that typify his style. The
pictures of this period, which include perhaps the most beautiful and
significant ones of his whole oeuvre, dispense with spatiality and an
unambiguous reference to objects. From now on, the surfaces are defined by
numerals, writing, abstract emblems, and playful figures and creatures.
Nineteen-forty-four saw the beginning of his extensive graphic oeuvre, ceramics,
monumental mural works, and sculptures. In these works, too, the Catalan artist
sought the solid foundation of a figurative, symbolic art with orientation as
regards content: faces, stars, moons, rudimentary animal forms, letters. Joan
Miro developed in several stages his characteristic flowing calligraphic style
and his world of forms resembling shorthand symbols. Brief Description: Joan
Miro (1893-1983) is one of the most significant Spanish painters of the 20th
century. This work depicts the evolution of his work - from the early influence
of Fauvism and Cubism to the later sculpture, murals and the development of his
characteristic flowing calligraphic style.
Shop.com - UK

Dada (Themes & Movements S.) (Hardback):
ISBN: 0714844233 Published: Oct 2006 Format: Hardback Pages: 304 Dada developed
in distinct periods and locations, providing the structure of the book. From
Europe and New York during the First World War it spread to Eastern Europe and
Japan in the 1920s. Its re-emergence as Neo-Dada in the 1950s and influence on
Fluxus in the 1960s was linked to emigres such as Marcel Duchamp and Hans
Richter. Survey: International Dada expert Rudolf Kuenzli surveys Dada in its
historical context and examines its significant impact and resonance in art and
culture today. Linking visual art, performance and literature, this is a fresh
treatement of Dada as the Dadaists saw it. A reassessment of one of the
twentieth century's most revolutionary movements in the arts, Kuenzli's clear
style is accessible to the scholar and the general reader. Works: Each image is
accompanied by an extended caption. The book is organized chronologically and
geographically around major explosions of Dada activity. From its inception in
Zurich during the First World War, we follow Dada to New York, Berlin, Hannover,
Cologne, Paris, Central and Eastern Europe, and Japan, finally looking at
Neo-Dada. It is a roll-call of the avant-garde: Hugo Ball at the Cabaret
Voltaire, Jean Arp's Automatic Drawing; Marcel Duchamp's readymades and Man
Ray's assemblages; Francis Picabia's paintings linking machine and human form;
collage with political comment from Raoul Hausmann and Hannah Hoch; Kurt
Schwitter's all-encompassing concept of Merz; Max Ernst; from the East, the
graphics of Lajos Kassak and El Lissitzky; Okada Tatsuo's constructions and
fireworks attached to the cover of Mavo magazine. A look at Neo- Dada includes
Robert Rauschenberg's "Erased de Kooning" and the Happenings of Hi Red Center.
Documents include a comprehensive collection of original Dada writings,
researched at the International Dada Archive and sourced from around the world.
Poetry, manifestos and statements are presented together with letters between
Tristan Tzara and Marcel Duchamp; Beatrice Wood describes 'The Richard Mutt
Case' (the first exhibition of a urinal) to her readers of "The Blind Man in
1917"; and in recent interviews artists such as Allan Kaprow and Arman relate
their Dada inheritance. Contents: Survey by Rudolf Kuenzli Works: Zurich, New
York, Berlin, Hannover and Holland, Cologne, Paris, Central and Eastern Europe,
Japan, Neo-Dada Documents: Zurich, New York, Berlin, Hannover and Holland,
Cologne, Paris, Central and Eastern Europe, Japan, Neo-Dada Artists' Biographies
Authors' Biographies Bibliography Index Brief Description: Surveys Dada in its
historical context, and examines its impact and resonance in art and culture.
Linking visual art, performance and literature, this is a fresh treatment of
Dada. This book is organized chronologically and geographically around major
explosions of Dada activity.
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